Friday, March 20, 2009
LINK
The Wussy Boy Manifesto
My name is Eirik Ott
And I am a Wussy Boy.
It’s taken me a long time to admit it.
I remember shouting out in high school,
“ No, Dad, I’m not gay! I’m just… sensitive.
I tried to like jet planes and hot rods
and football and Budweiser poster girls
but I never got the hang of it!
I don’t know what’s wrong with me…”
And then, I saw him,
there on the silver screen,
bigger than life and unafraid
of earrings and hair dye
and rejoicing in the music of The Cure,
Morrisey and Siouxsie and the Banshees,
walking loud and talking proud
my Wussy Boy icon:
Duckie in Pretty in Pink.
And I realized I wasn’t alone.
I looked around and saw other Wussy Boys
living large and proud of who they were:
Anthony Michael Hall, Wussy Boy;
Michael J. Fox, Wussy Boy; and
Lord God King of the Wussy Boy Movement,
Matthew Broderick,
unafraid to prove to the world
that sensitive guys kick ass!
(“Wussy Boy Manifesto” cont’d)
Now, I am no longer afraid
of my Wussiness, hell no,
I am empowered by it!
When I pull up to a stoplight
And some redneck testosterone
methamphetamine jock frat boy pulls up
beside me cranking his Trans Am’s stereo
with power chord anthems
to big tits and date rape,
I no longer avert my gaze, hell no,
I just crank all 12 watts of my car stereo
and I rock out right to his face:
“ I am human and I need to be loved
just like everybody else does!”
I am Wussy Boy, hear me roar (meow).
Bar fight? Pshaww!
You think you can take me, huh,
just because I like poetry
better than Sports Illustrated?
Well, allow me to caution you
for I am not the average, every day,
run of the mill Wussy Boy you beat up
in high school, punk:
I am Wuss Core!
Don’t make me get Renaissance on your ass
because I WILL write a poem about you!
a poem that will tear your psyche limb from limb,
that will expose your selfish insecurities,
that will wound you deeper than knives
and gats and baseball bats could ever hope to.
You may see 65 inches of Wussy Boy
standing in front of you,
but my steel-toed soul
is ten feet tall and bulletproof!
Bring the pain, punk!
Beat the tar out of me!
Show everybody in this bar
what a real man can do,
but you’d better remember
that my bruises will fade,
my scars will shrink and disappear,
but my poem about the pitiful, small, helpless,
dumb-ass, no-neck oppressor you really are
will last forever.
--Big Poppa E
Slam Poetry is supposed to be performed in front of a casual audience, sometimes as part of a competition. It utilizes contemporary slang and cultural allusions, as well as strong, aggressive diction and hyperboles to convey raw emotion and an honest opinion. Essentially, it's battling with poetry.
This poem's exposition presents the topic that will be handled through the speaker's confusion and apologetic response of his seeming sensitivity and nonconformity to male stereotypes like enjoying "jet planes" "cars" and "Budweiser poster girls". The following stanza's explain the speaker's revelation and new understanding of the topic, when he finds other "Wussy Boys" who made it big and were admired, making allusions to contemporary actors such as Michael J. Fox and Matthew Broderick. In these stanzas, the speaker uses hyperboles and juxtapositions the stereotypical characteristics of "normal boys" and "Wussy Boys".
After this, the poem's tone shifts and becomes more empowered, albeit more aggressive and on the offensive. He still uses common generalizations and stereotypes, such as "redneck testosterone/methamphetamine jock frat boy pulls up/ beside me cranking his Trans Am’s stereo/ with power chord anthems/ to big tits and date rape..." to depict a clear, negative picture of the "opponents" confronted in this slam poem. This is like an attack, using some cacophony, and strong diction with the words such as "redeck" "methamphetamine" and "anthems to big tits and date rape" to create the desired effect, which would come through even more clearly when heard performed.
The spirit of the "slam poem" is strongly captured in the lines:
a poem that will tear your psyche limb from limb,
that will expose your selfish insecurities,
that will wound you deeper than knivesMonday, January 19, 2009
Whole Text 2 (from norton pg. 1058)
And gather thick as bees,
To talk electrons, gases, God,
Old nebulae, new fleas.
Each specialist, each dry-as-dust
And professional oaf,
Holds up his little crumb of crust
And cries, "Behold the loaf!"
Eden Phillpotts - The Learned
Favorite Poem
As a prelude to my lay;
From a poet to a poem
I would dare to say.
For if of these fallen petals
One to you seem fair,
Love will waft it till it settles
On your hair.
And when wind and winter harden
All the loveless land,
It will whisper of the garden,
You will understand.
External Form Poem 4- Shel Silverstein!
I remembered from the days of my youth (who am i kidding....from last week) that Shel Silverstein, who writes tons of children's poem, often uses the poem's external form as a device to visually aid the poem. In this one, the poem is very simple: lazy jane doesn't want to get up and get a glass of water, so she waits for it to rain so the water can just fall into her mouth. Every word is a word is a single stanza, and the words "lazy" and "and waits" are repeated many times, which gives the overall effect of having to wait a long time to get to the point. When you do get to the point, you see the picture of lazy jane lying down with her mouth open, and the words look like they're falling into her mouth. So. The words are the rain which takes a really long time to get to her mouth.
External Form Poem 3- l(a by e.e. cummings
l(a le af fa ll s) one l iness |